Autor: Yue Yang, Ensi Zhang

Abstract:

Art is the embodiment of national culture and spirit. Singing and dancing are one of the earliest and richest forms of human art. It is not only the product of experience and emotional experience but also the transcendence of vulgar daily life. As the most distinctive feature of modern Indian films, the art of singing and dancing inherits the traditional Indian aesthetic ideas and religious philosophy in the modern audio-visual environment can be found. It maintains a distinctive national impression in the tide of internationalization. This kind of art form is of great significance to the exploration of the nationality of Chinese singing and dancing art

ISSN: 1980-539X

DOI: https://doi.org/10.1590/0101-3173.2023.v46n4.p315

Texto Completo: https://revistas.marilia.unesp.br/index.php/transformacao/article/view/14191/15176

Palavras-Chave: Indian film. Singing and dancing. Classical aesthetics. Religious philosophy